Mr Calvin Falwell
Calvin Falwell, Clarinet
Praised for his "great skill and captivating sound" by Clariperu, American clarinetist Calvin Falwell is quickly becoming a sought after soloist and chamber music collaborator. His performances have garnered praise from critics and audiences around the world. A true champion of new music, Calvin has had the privilege of premiering numerous works for both clarinet and bass clarinet including works by Todd Goodman, David Thomas, Max Lifchitz, Suzanne Polak, Bradford Blackburn, Paul Reller, David Stock and Joseph Hallman.
As a soloist he has developed an extensive repertoire for bass clarinet. Solo appearances include concerto performances with the McCormick Percussion Group, West Chester Percussion Ensemble, South Florida Symphony, Beaver Valley Philharmonic and contemporary ensembles in Philadelphia, Pittsburgh and Louisville. Recent tours have taken him to South America, China and Europe.
As an orchestral musician Calvin held positions with the Sarasota Opera Orchestra and the Orlando Philharmonic Orchestra. Calvin has also appeared with the Fort Worth Symphony Orchestra, Alabama Symphony Orchestra, Florida Grand Opera, Miami City Ballet, Florida Orchestra, Louisville Orchestra, Lexington Philharmonic, Opera Tampa, Opera Naples, Green Mountain Opera and Pittsburgh Opera Theater among others. Additionally, Calvin has toured internationally with the Hollywood Concert Orchestra. Former faculty appointments include The College of New Jersey, Holy Family University, Wilmington University, Hartwick College Music Festival, Blue Lake Fine Arts Camp and AMEROPA Chamber Music Festival.
Currently, Calvin holds the 3rd/Bass Clarinet chair with the Sarasota Orchestra in Sarasota, FL and is on faculty at the University of South Florida and Valencia College. During the summer months can be found performing with the Charlottesville Opera Festival in Virginia.
Constantly in demand as a clinician, Calvin has presented masterclasses at ClariFest Guatemala, the Potsdam Clarinet Summit, University of Evansville Clarinet Workshop, ClariBogota, ClariSax Medellin, Gutape Festival, Shanghai Grand Theater, University of Louisville, University of Tampa, Florida Southern College, University of Central Florida, Murray State University, Belmont University, Bethune-Cookman University, SUNY Potsdam, Pontificia Universidad Javeriana, Universidad Distrital, Universidad Corpas and the National Conservatory de Colombia,
His principal teachers and mentors include Paul Demers (Philadelphia Orchestra), Ron Samuels (Pittsburgh Symphony Orchestra), Tim Zavadil (Minnesota Orchestra), Dallas Tidwell (Louisville Orchestra), Daniel Lochrie (Nashville Symphony) and Scott Locke (Murray State University). Both Calvin's BM and MM are in Clarinet Performance and are from the University of Louisville and Duquesne University respectively. Currently, Calvin is completing his PhD in Music from Columbia University.
Calvin is both a Buffet Group USA and D'Addario Woodwind Performing Artist, performing on Buffet Clarinets and D'Addario Reeds exclusively.
Calvin lives in Florida with his wife Kerry Falwell, son Zachary and their two cats Ronald & Callie. When not playing Clarinet Calvin is an avid cyclist and races for Team Outspokin Tampa.
By appointment only
Music Appreciation is designed to sharpen the student's listening focus in order to enrich his/her listening experience. The course accomplishes this by moving in easy steps from elements of its language to masterpieces of Western music. World music and popular music are also included. Supplemental reading and listening is provided with regard to current trends, music in politics and pop musics influence on popular culture.
Last updated 8/1/2018
The history of popular music is often presented as a sequence of innovations and events. The aim of this course, in contrast, is to study popular music in the United States in order to understand significant social, economic, and cultural transformations during the past century. We will trace important developments in technology, business, social life, and popular culture through American popular music. Simultaneously, we will discuss how popular music has reflected shifting attitudes about race, region, gender, and class. Particular attention will be devoted to the role that popular music played in the forging of a mass culture that Americans, regardless of class, region, race, and gender, participated in.
Last updated 12/3/2018